Post Production Divergent
Divergent was possibly the easiest of the three films to edit. Through missing some critical shots in my film, Coffee, I had learnt the importance of creating comprehensive storyboards. For Divergent, the storyboards acted as a shot list that had the narrative flow fully established. This made for an easy edit, as I could simply edit to the storyboard.
Colour Correction
During filming, I was very disciplined in using the Xrite Colour Passport for every shot.
White Balance
Once I had adjusted the exposure, I would use the colour picker to balance the colour using Final Cut Pro’s balance colour effect. Since I was filming outside in a natural environment, I had very few pure white sources for colour correction. With the shifting light conditions, due to the unpredictable Scottish weather, the Xrite colour passport shots at the start of every sequence were incredible useful in post production.
Hue vs Hue
Once the shot had been white balanced, I could adjust the hue. I would locate the shot of the Xrite colour passport in the browser, disable the underlying layer, place a mask over the primary hues on the colour board. I would then adjust the hues so that they were correct according to the vector scope.
Directors Notes